Selling your equipment to Gear4music is straightforward.Just click “Trade-in your gear” above answer some quick questions about your item and well tell you how much youll get.Well tell you how much youll get before you sell. Well arrange to collect the item from you ensuring its journey to us is fully insured. Once we receive your gear well let you know. When the item has been checked and verified within a few days youll get paid! Selling to us also means you dont have to write product listings or answer questions from potential buyers.
Included Softube and Focusrite Plug-Ins Included are a collection of professional sounding plug-ins comprised of Softubes world-class Time and Tone Pack with SAR-1R Reverb Tube Delay and Saturation Knob. This is complemented by the Red 2 & Red 3 AAX AU & VST plug-in suite which accurately models Focusrite’s classic Red range hardware equalizer and compressor. To revceive you free plug-ins simply register and download from the Focusrite Website. Included Plug-Ins: Softube Tube Delay Softube Reverb Softube Saturation Knob Focusrite Red Equalizer Focusrite Red Compressor In addition to six of Focusrites legendary mic-pres two of Liquid Saffire 56s pre-amps utilises the third generation of Focusrites Liquid Pre-amp providing the choice of ten different pre-amp emulations. These include emulations based on the Neve 1073 the Pultec MB-1 Telefunken V72 and seven more. A harmonics dial on each Liquid pre-amp lets you account for variance in vintage originals of the same model or use levels of 2nd 3rd and 5th Harmonic distortion creatively to shape your sound. Liquid Saffire 56 doesnt just offer pre-amp variety; sonic integrity is also guaranteed throughout. Both the Liquid and Saffire pre-amps ensure low noise and distortion whilst quality digital conversion and JetPLL jitter elimination technology ensure pristine audio quality as your audio flows between the analogue and digital domains. Alongside the two Liquid- and six Saffire pre-amps are a host of i/o options; 10 analogue outputs 16 channels of ADAT i/o stereo SPDIF i/o MIDI i/o and 2 virtual loopback inputs for routing digital audio between software applications – ideal for capturing audio playback within your computer. Mic Line and Instrument inputs all utilise independent connectors with the input type for each channel selectable via custom control software. Consequently all the inputs can remain permanently connected ready for whatever your recording session demands. In addition word-clock i/o is provided on BNC connectors allowing Liquid Saffire 56 to act as either a master clock for your studio or as a slave to an existing clock. Every channel features an independent phantom power and a high pass filter switchable from the front panel with the two instrument channels also featuring -9dB pads for additional headroom. Front panel 5-LED metering for all inputs including ADAT and SPDIF offers accurate viewing of all levels. Saffire Mix Control the zero-latency 18 x 16 DSP Mixer/Router software provided with Liquid Saffire 56 features unparalleled output routing and monitoring. It also provides intuitive one-click set-up solutions a clear and concise mixing layout large on-screen metering for inputs outputs and submixes and control over the choice of liquid emulation. Two independent headphone buses are provided each with their own level controls available on the front panel. A dedicated stereo monitor mix output features pads for improved sound quality when connected to active monitor speakers. An anti-thump circuit protects your monitor speakers from spikes when booting up or shutting down the unit. Features and Specifications For further information please download the product manual PDF from the link above. Two Liquid Pre-amps:The marriage of a hugely flexible analogue front end with cutting-edge dynamic convolution DSP each Liquid Pre-amp lets you choose from ten different classic pre-amp emulations with an eleventh flat option. Six High Quality Award-winning Focusrite Pre-amps: Six award-winning Saffire pre-amps complement two Liquid pre-amps. All eight pre-amps demonstrate the same wide bandwidth philosophy behind the early vintage Focusrite units. High Quality 24-bit/192kHz Firewire Interface: Professional digital conversion and JetPLLTM jitter elimination technology; pristine audio quality and reliable synchronisation are guaranteed. Total I/O Count of 28 Inputs and 28 Outputs: A host of i/o options are provided* including a unique loop-back facility for routing audio between software applications via Saffire Mix Control. Suite of Focusrite VST/AU plug-ins: Upgrade your standard sequencer effects and bring a touch of class to your session with Focusrite Compression Reverb Gating and EQ VST/AU plug-ins. Two separate headphone buses: Two artists can receive independent and fully customised monitor mixes. Each output has an independent level control available on the front panel. Saffire Mix Control Zero-latency DSP Mixer/Router: Routing flexibility and intuitive one-click set-up solutions; Saffire Mix Control provides an 18 x 16 DSP mixer with excellent output routing and monitoring capabilities. Front panel 5-LED metering: LED metering for each of the analogue ADAT1 ADAT2 or S/PDIF inputs offers accurate viewing of levels direct from the front fascia. Mic. Inputs Dynamic Range (A-Weighted): 109dB SNR (A-weighted): -109dB Frequency Response: 20Hz – 20kHz +/- 0.1 dB THD+N: 0.001 (measured at 1kHz with a 20Hz/22kHz bandpass filter) Noise: EIN > 125dB (128dB analogue to digital) (measured at 60dB of gain with 150 Ohm termination (20Hz/22kHz bandpass filter) Maximum level (A-weighted): 8dBu at 1 Line Inputs: Dynamic Range (A-Weighted): 109dB SNR (A-weighted): -109dB Frequency Response: 20Hz – 20kHz +/- 0.1dB THD+N: Noise: -90dBu (22Hz/22kHz bandpass filter) Maximum level (A-weighted): 28.5dBu at 1 Instrument Inputs: Frequency Response: 20Hz-20KHz +/- 0.1dB Maximum Input Level min gain no pad: +8dBu Maximum Input Level max gain no pad: -42dBu THD+N -1dBFS min gain no pad: SNR: 109dB “A” DNR: 109dB “A” Input Impedance: > 1MOhm X-talk: Adjustable Gain: > 50dB Pad Attenuation: 10dB Headphone Outputs: Frequency Response: 20Hz-20KHz +/- 0.1dB SNR: 109dB “A” DNR: 109dB “A” Maximum Output into 32R +12.4dBu: (+10.2dBV) Power into 32R: 250mW Output Impedance: Load Impedance: > 24Ohms Line level Outputs: Dynamic Range (A-Weighted): 108dB SNR (A-weighted): -108dB THD+N: Maximum level (A-weighted): 15.7dBu at 0.883 Additional Conversion Performance: Clock jitter: THD+N AMPL (A-weighted): -109dBFS Connectivity Analogue Channel Inputs (Inputs 1-8): Mic inputs: 1-8 on rear XLR?s. Line inputs: 1-8 on rear 1/4? TRS. Instrument inputs: on channels 3 and 4 (separate front panel 1/4? TRS). Notes: Individual switchable High Pass Filter on all inputs. Phase switch on inputs 3 5 and 7. Input Pad on inputs 3 and 4 = -10dB. Analogue Outputs: Line level 10 x 1/4? TRS Jack. Digital I/O SPDIF input and output (RCA phono) on rear panel (24-bit 44.1 – 192kHz) output transformer isolated. Optional AES output mode with professional channel status and voltage levels on SPDIF output (isolated and balanced). [Currently not implemented a future update will include this feature]. 2 x ADAT In / Out 16 channels (44.1 / 48kHz) 8 channels S-MUX (88.2 / 96kHz) 4 channels S-MUXII (176.4 / 192kHz). ADAT Input and Output 2 can be re-configured to be optical SPDIF input / output via control panel. BNC Word clock input and output (75 ohms). MIDI I/O 1 in / 1 out (16 channels) on rear panel. Headphone monitoring 2 x 1/4? TRS Jack on front panel (mirrors outputs 7-8 and 9-10). NOTE: These are high power headphone drivers. Other I/O: 2 6-pin Firewire sockets 2 Standard 5-pin DIN MIDI connectors: In and Out IEC mains power input connector Weight and Dimensions: 5kg 350mm (W) x 90mm (H) x 235mm (D)
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