The sE Electronics BL8 is a remarkable half-cardioid boundary microphone that offers exceptional sound quality and versatility. Built with the same celebrated capsule as the sE8 small-diaphragm condenser the BL8 boasts a hand-crafted true condenser capsule with an ultra-thin three-micron gold-sputtered diaphragm delivering superior transient response. This microphone is specifically designed to accurately reproduce low frequencies often eliminating the need for an additional outer kick drum mic. With compatibility for The KellyShu Flatz Isolation System the BL8 is also perfect for touring applications. The BL8 is ideal for a range of applications including ambient micing room micing and recording acoustic pianos. Its 1/2-inch capsule provides exceptional clarity with a rich and immersive stereo stage. Switch between modern and classic voicings using the onboard controls to cater to live or studio settings. Equipped with transformerless Class-A circuitry the BL8 ensures plentiful headroom without any distortion while its low-noise electronics provide transparency and clarity. Built to last the BL8 boasts an all-metal construction with a dent-proof grille and gold-plated XLR contacts ensuring long-term reliability. Additionally the switchable attenuation pad prevents high-SPL sources from overloading your mixers input.
Onboard controls with low-cut filter The sE Electronics BL8 is equipped with three switches on the bottom that provide you with control over its tone and help prevent overloading your mixer microphone preamp or audio interface. These switches allow you to shape the sound according to your needs. The low-cut switch on the BL8 allows you to adjust the low-frequency response. It offers two different frequency options or the ability to keep it flat. This feature is especially useful for applications such as room micing or speech where you want to reduce unwanted footfall noise or rumble. Additionally it can help minimise the proximity effect providing you with clearer and more focused recordings. Attenuation pad – prevents overloading With the attenuation pad you can reduce the microphones signal by 10 or 20 dBs when activated. This feature is particularly helpful when dealing with loud sources that may overload your mixer preamp or audio interface. By using the attenuation pad you can ensure clean and distortion-free recordings. The pad can be easily activated or deactivated providing you with flexibility based on the specific requirements of your recording session. Classic/modern voicings for live/studio settings The BL8 offers two character voicings “Classic” and “Modern” designed to help you achieve the desired tone for your recordings. These voicings cut and shape the low-mid frequencies to emphasize transients and punch. In its centre position the microphone maintains a neutral response making it versatile for a wide range of recording applications. Whether youre aiming for a classic or contemporary sound the BL8 has you covered. Easy-access capsule If you want to switch the BL8s capsule the process is simple. First ensure that the microphone is not connected to an XLR cable. Then turn the screw at the centre of the microphones grille in a counter-clockwise direction until it becomes loose. Remove the screw and the grille to gain access to the capsule. Next turn the capsule-retainer screw counter-clockwise until it can be removed. Then turn the capsule itself in a counter-clockwise direction to remove it. To install a replacement capsule turn it clockwise to lock it into place. Finally reattach the capsule-retainer screw place the grille back on the microphones base and secure it with the exterior screw. This allows you to easily switch capsules for different recording needs. Versatile mounting options Two mounting points covered with black stickers are revealed. Remove these stickers using a sharp tool then use the same tool to punch through the protective foil beneath. Finally mount the microphone as desired using screws (not included) and close the microphone as described in the previous section. This feature enables you to creatively position the BL8 for optimal sound capture in any environment. Features Constructed with resilience in mind designed for the rigours of on-the-road use Hand-crafted half-cardioid boundary microphone featuring a true condenser capsule Superior transient response due to ultra-thin gold-sputtered three-micron diaphragm Engineered for precise low frequency reproduction Can be used effectively with V KICK or as an independent kick drum microphone Compatible with The Kelly Shu Flatz™ Isolation System Employs transformerless Class-A circuitry for extensive headroom and minimal distortion Incorporates low-cut filter and optional EQ shaping switch for added flexibility Perfect for recording ambience room micing and acoustic pianos Switchable attenuation pad to avoid mixer input overload Durable all-metal construction complemented with a dent-resistant grille Reliable long-term performance assured by gold-plated XLR contacts Complete with pouch for protecting mic on the move or in storage Specifications Capsule: Hand-crafted small-diaphragm true condenser capsule Polar patterns: Half-cardioid Frequency range: 20 – 20000 Hz Sensitivity: 25 mV/Pa (-32 dBV) Max. SPL (0.5 percent THD): 143 / 153 / 163 dB SPL (0/10/20 dB attenuation pad) Equivalent noise level: 14 dB(A) Dynamic range: 129 / 139 / 149 dB (0/10/20 dB attenuation pad) Signal-to-noise ratio: 80 dB Low-cut filter: 80 / 160 Hz 6 dB/oct switchable Attenuation pad: 10 / 20 dB switchable Powering: 48 Volts according to IEC 61938 Electrical impedance: 60 Ohms Recommended load impedance: > 1k Ohms Current consumption: 5.0 mA Connectivity: 3-pin male XLR connector Dimensions (LxWxH): 139 x 95 x 28.5 mm (5.47 x 3.74 x 1.12 inches) Weight: 538 g (18.98 oz.) Product code: BL8
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