Inspired by the legendary U67. The Neumann TLM 67 Switchable Studio Microphone is the perfect blend of heritage and technical innovation. It combines the very best modern electronics with that iconic vintage sound all at a price which wont break the bank. Drums amplifiers strings piano vocals. You name it the TLM 67 excels on it. At the heart of the microphones lies a renowned K67 capsule this will relay every last nuance of any source with an incredible degree of accuracy. Its enhanced mid-range is sure to push any voice or instrument to the forefront of any mix With the TLM 67 in your locker no task will feel too far out of reach. The inclusion of three polar patterns allow you to achieve a unique range of sounds. From close and direct to natural and open this can easily be adjusted via the switch on the front of the condensers body. The TLM 67 doesnt just sound great it looks it too! Thanks to its aesthetically pleasing multi-coloured pearl-gray/nickel exterior youll be taken right back to the golden age of recording. To mark the companies 80th anniversary theyve paid tribute to Georg Neumann with a premium metal emblem. Become part of the Neumann legacy today!
Which polar pattern should I use? Boasting three polar patterns the TLM 67 is a real work-horse; Cardioid is excellent for delivering a tight-focused sound whilst providing excellent off-axis rejection of around -6dB of unwanted noise and ambience. This is a great polar pattern to rely on when recording live performances either on-stage or in-the-studio. Fig. 8 picks up sound from the front and the back of the capsule whilst rejecting all sound coming from the side. This pattern has been a go-to trick for many producers recording two background vocals. When paired with another fig.8 microphone and carefully positioned it can also work wonders on capturing vocals and guitar from a single performer simultaneously. However beware. Utilising this positioning enhances close proximity effect which can lead to an unnatural amount of low-end being reproduced by the microphone. Theres good reason why many radio broadcasters opt for this pattern! When you want to capture natural recordings it doesnt get much better than omni. Omnidirectional means that sound is picked up by the capsule within a 360 degree radius. Selecting this pattern allows you to get up-close on sources without the risk of proximity effect being introduced. This is a favoured pattern for many Grammy award winning engineers and producers when recording multiple string and brass players. It can also make the “Levee Break” when heavily compressed and used for drum room microphones! Get the sound right at source The versatile microphone features control settings that allow you to adapt to the ever changing activities within professional studio environments. A pre-attenuation switch on the back of the microphone reduces transmission levels by 10 dB to help deal with extremely high sound pressure levels. This allows you to record loud sources such as drums and amplifiers free from the risk of distortion. The high-pass filter switch also ensures reduction of impact sound and wind noise by changing the cut-off point of low frequencies. Features Three switchable polar patterns with omnidirectional cardioid & figure-8 settings Based on the revolutionary U67 microphone from the 1960s Designed for vocals spoken voice in orchestral recordings or for use with individual instruments Large wire mesh grille with elastically mounted double diaphragm capsule Switchable high-pass filter & pre-attenuation Transformerless circuit technology Dual-colour exterior design Specifications Acoustic Operating Principle: Pressure Gradient Transducer Directional Pattern: Omnidirectional / Cardioid / Figure 8 Frequency Range: 20Hz – 20kHz Sensitivity at 1kHz into 1kΩ Omnidirectional: 10 mV/Pa Cardioid: 18 mV/Pa Figure 8: 9 mV/Pa Rated Impedance: 50Ω Rated Load Impedance: 1kΩ Equivalent Noise Level CCIR Omnidirectional: 29 dB Cardioid: 24 dB Figure 8: 30 dB Equivalent Noise Level A-Weighted Omnidirectional: 16 dB-A Cardioid: 11 dB-A Figure 8: 17 dB-A Signal-To-Noise Ratio CCIR Omnidirectional: 65 dB Cardioid: 70 dB Figure 8: 64 dB Signal-To-Noise Ratio A-Weighted Omnidirectional: 78 dB-A Cardioid: 83 dB-A Figure 8: 77 dB-A Maximum SPL for THD Omnidirectional: 110 dB Cardioid: 105 dB Figure 8: 111 dB Maximum SPL for THD Omnidirectional: 130 dB Cardioid: 125 dB Figure 8: 131 dB Maximum Output Voltage: -1 dBu Power Supply: P48 Matching Connector: XLR 3F Weight: 490 g Dimensions Diameter: 56 mm Length: 200 mm Product Code: 008605
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