Inspection notes: This MOTU interface is fully functioning and in excellent condition. Included with this Unit: USB and Firewire Cables This product is secondhand. It has been inspected by our team of product experts to ensure it meets our high-quality standards. Any software mentioned in this listing may already have been registered and not included.
The UltraLite-mk3 is two devices in one an audio interface and a 14-bus digital mixer complete with EQ compression and reverb giving you twice the functionality in half the rack space. Operating as either a computer interface or stand-alone the UltraLite-mk3 provides DSP-driven digital mixing with effects processing (reverb EQ and compression) for all 10 inputs and 14 outputs. You can connect all your gear and then mix process and monitor everything from the UltraLite-mk3s main outs or headphone jacks. The UltraLite-mk3 provides flexible and mobile bus-powered operation professional audio quality at sample rates up to 192 kHz and plenty of I/O including two mic/instrument inputs six line-level analog inputs ten channels of analog output stereo S/PDIF and a discrete stereo headphone output. Housed in a rugged compact enclosure you can take anywhere the mk3 is equally well-suited for studio and stage with or without a computer. As an interface or standalone mixer it provides 10 separate inputs and 14 separate outputs. Connect all of your studio gear including microphones guitars synths keyboards drum machines effects processors and even MIDI devices. Record monitor route and process all of these live inputs using the professional on-board CueMix FX digital mixer with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs outputs and busses independent of your host computer. Add Classic Reverb with lengths up to 60 seconds and further sculpt your sound with the 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler an accurate model of the legendary LA-2A optical compressor that provides vintage musical automatic gain control. After programming the on-board mixer in the studio unplug the UltraLite-mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD. The UltraLite provides cross-platform compatibility with Mac and Windows and all of your favourite audio software and host-based effects via WDM/ASIO/Core Audio drivers. You can use the included AudioDesk workstation software for Mac with 24-bit recording/editing and 32-bit mixing/processing/mastering. Two mic/guitar inputs are equipped with high quality preamps and all the features you need to record any mic or guitar with excellent sound quality. Each input is equipped with its own 48V phantom power switch and three-stage 0/-18/-36dB pad switch. The preamps provide 24 dB of gain adjustment in precise 1 dB increments using the detented digital rotary encoder. As you turn the encoder you see graphic and numeric feedback in the front panel LCD so you know exactly how much gain you are applying. The gain adjustment itself is smooth because it is analog but the digital control gives you both precision and the ability to save and recall trim settings. You get the best of both worlds: analog trim with digital precision and control. Reviews “The UltraLite mk3 manages to pack a staggering amount into a modestly-sized box and should appeal to those looking for a one-stop solution to both recorded and live work. In short the UltraLite mk3 wont let you down.” – Future Music Features and Specifications I/O: 10 inputs/14 outputs. Mic inputs S/PDIF I/O headphone and main outs handled as seperate channels. Reverb: 5 room types 3 frequency shelves with adjustable crossover points shelf filtering reverb lengths up to 60 seconds. Compression: Standard with conventional controls and Leveler modelled on the legendary LA-2A optical compressor. Modelled EQ: 7-band parametric EQ featuring 4 filter styles (gain/Q profiles) LP and HP filters supplied with slopes ranging from 6 to 36 dB CueMix FX software: Cross-platform mixing software with full-screen real-time FFT display. Front-panel control: Access any setting direct from the front panel Reverb return stream: Record or mix reverb output straight into your DAW Standalone operation: Program mixes at the studio and transport to your gig no computer needed. Tweak the mix using front-panel controls Multiple CueMix FX mixes: Create different monitor mixes for the main outs and headphones. Two combo jacks: hi-Z 1/4″ guitar input or low-Z XLR mic input with phantom power pad and gain Analog I/O: 8 24-bit 192 kHz on balanced/unbalanced 1/4″ TRS jacks Precision Digital Trim: Digitally control analog trim on all analog inputs. Provides accurate adjustments in 1dB increments. Direct Digital Synthesis: DSP-driven phase lock engine and internal clock source producing low jitter characteristics. Time code support: Directly resolves to (or generates) time code via any quarter-inch input or output Sample-accurate MIDI: Connect a MIDI controller and/or sound module with no separate interface needed. TRS main outs: Separate TRS main outs with front panel volume control. DAW Compatibility: Supports all popular Mac and Windows audio software. Includes: AudioDesk full-featured sample-accurate workstation software for Mac Front Panel: Volume control for monitoring headphone jack with volume control. Power supply: Bus-powered FireWire operation. Power supply is included for stand-alone operation. Dimensions: W 24.13 × D 17.78 × H 4.45 cm
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