A classic re-imagined for the modular world. The Korg ARP 2600 M is a semi-modular synthesizer basing its design on the legendary ARP 2600. Youve heard it before whether you realise it or not. The ARP is one of the most iconic synthesizers ever made. It has been used countless times in popular music and soundtracks starting from the 70s. This faithful recreation brings the ARP 2600 into the modern world at a more compact size and a range of new features. Utilising three powerful oscillators the Korg ARP 2600 M is perfect for sound design. The authentic analog circuitry gives you that grit and warmth that cant be found in its digital counterparts. Whats more the synth has onboard speakers a built-in spring reverb tank and two versions of the classic ARP 2600 filters (4012 and 4072) for a choice of different textures. It even features USB connectivity so you can use it for digital music production.
A faithful recreation improved for the digital world Bringing the ARP 2600 M into the digital age Korg have incorporated some new features and enhancements whilst staying true to the original. One of the most prominent new additions is the inclusion of USB connectivity (USB-A and USB-B) ports. This allows for plug and play operation ideal for music production and connecting MIDI controllers. You can listen to your sounds directly through the built-in monitors. The voltages have also been normalised making the 2600 M ideal for use with external modules such as the Volca range. The attack and release times have been improved as well as the speaker section with them now turning off when headphones are plugged in. The scaled design size still retains all the same features and functions from the original in a frame 60 percent of the original size. The synth also comes complete with a music software bundle comprised of iZotope Ozone Elements Reason Lite DAW and Skoove (for improving your keyboard playing skills). Hard-wired smooth sliders Almost every slider available on the front panel of the ARP 2600 is hard wired to specific controls. These sliders provide precise control over the various components of the ARP 2600. This also ensures you can start creating immediately without the need for patching. Thanks to the semi-modular build inserting a patch cord into any of the hardwired controls jack output will override the internal connection allowing you to create a brand-new signal path. This results in an infinite amount of signal processing and sound creation. The new and improved slider design provides a smoother feel for improved precision. Efficient patching The ARP 2600 M utilises 3.5mm jacks as patch points in order to save space creating an easy to navigate interactive control panel. This also allows for extra jacks and more patching potential. The majority of the patch points are located at the bottom of the ARP 2600 M control panel in order to keep the main panel unobstructed for tweaking controls. Powerful processing and sound design toolsThe ARP 2600 M is packed with a wide range of individually patchable modules. These can be used for processing an external signal through the dedicated envelope follower and preamp. A set of parallel-wired multiple jacks greatly enhance the patching possibilities of the ARP 2600. These can be used to send the same control signal to many different locations. Three independent voltage processors provide scalable control voltages or can act to attenuate any control signal. The 2600’s lag generator can be used to delay the start of any control signal. A noise generator is capable of producing white pink and low-frequency noise and every combination in between. A series of three inverters can reverse the polarity of any signal. The electronic switch can be sync’d to either the internal clock or any external clock signal as can the sample & hold rate. A trilogy of powerful oscillators Each of the three oscillators feature initial and fine-tuning sliders resulting in extremely stable tuning throughout the synthesizer. Each oscillator can then be designated as an LFO or audio oscillator. Each oscillator generates multiple wave shapes at once including Sawtooth Square Triangle Sine and Pulse. These have a range of uses within the ARP 2600 including to modulate the frequency of another audio oscillator to create analog FM effects. A choice of two classic filters Choose from two iterations of filters. The ARP 2600 M was renowned for its cutting-edge filtering with its now-iconic 4012 filter being one of the most sought-after on the market. With the 2600 M Korg have included both the original 4012 circuitry and the 4072 type (DIN MIDI IN) for sonic versatility. Now you dont have to choose between the original and the later models you can have both in one! Full ADSR control with versatile envelopes The ARP 2600 M features two envelope transient generators. One of which offers variable attack and release whilst the second offers full ADSR control. These envelopes can be retriggered at any time using the manual start button. The envelope section also provides both gate and trigger outputs ideal for patching into external modular systems. Output effects and connectivity To produce the output sound the ARP 2600 M relies on a voltage controlled amplifier (VCA) to bring the output up to a suitable level. This amplifier can be controlled using both linear and exponential control inputs with the initial gain setting providing output at its highest setting. The output section of the ARP 260 0M features a stereo mixer section an internal spring reverb than the main outputs and built-in monitor speakers. To access the output audio two low stereo L/R outputs can be used to directly connect to a recording device or sound system. A headphone output can also be used for monitoring. Features Faithful recreation of the iconic ARP 2600 synthesizer Smaller design – 60 percent of the original size Three versatile oscillators with a range of waveforms 3.5mm jack patching points New and improved sliders for a smoother performance Spring reverb tank for classic-style reverb Plug and play connectivity – ideal for use with MIDI controllers and music software Two iterations of ARP filters – 4012 and 4072 Normalised voltage makes it easier to use with the synth with external modules Built-in monitor speakers for direct listening Improved attack and release ratios Complete with music software bundle iZotope Ozone Elements Reason Lite DAW Skoove – a keyboard playing tutorial subscription Specifications VCO-1 (Voltage controlled oscilator 1) Waveforms: sawtooth square Frequency range: Approx. 0.03 Hz – 30 Hz (low freq. mode) Approx. 10 Hz – 10 kHz (audio mode) Voltage controlled response: 1 V/oct. VCO-2 (Voltage controlled oscilator 2) Waveforms: sawtooth pulse (dynamic pulse) triangle sine Frequency range: Approx. 0.03 Hz – 30 Hz (low freq. mode) Approx. 10 Hz – 10 kHz (audio mode) Pulse width: 10 – 90 Voltage controlled response: 1 V/oct. VCO-3 (Voltage controlled oscilator 3) Waveforms: sawtooth pulse (dynamic pulse) Frequency range: Approx. 0.03 Hz – 30 Hz (low freq. mode) Approx. 10 Hz – 10 kHz (audio mode) Pulse width: 10 – 90 Voltage controlled response: 1 V/oct. VCF (Voltage controlled filter) Type: low-pass (TYPE I : early 24 dB/oct. Type II: late 24 dB/oct.) Frequency range: approx. 10 Hz – 10 kHz Resonance: 1/2 – self oscillate VCA (Voltage controlled amplifier) Control voltage: AR type (internally connected) ADSR type (internally connected) Noise generator: noise spectrum types (white and pink) Ring modulator Type: analog multiplier Input signal (Internally connected): VCO-1 sawtooth wave VCO-2 sine wave Audio output jacks Connector: φ3.5 mm monaural phone jack Maximum output level: +9 dBu @ 10 kΩ load Output impedance: 1.2 kΩ General Dimensions (W × D × H): 520 × 129 × 311 mm / 20.5 x 5 x 12.2 inches Weight: 5.9 kg / 13 lbs. Product Code: ARP-2600-M
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