The TC Helicon VoiceLive Play is a vocal effects pedal loaded with hundreds of genre presets for pristine vocals. The VoiceLive Play allows you to kick-in effects right when you need them allowing you to add backing harmonies double-tracking EQ and compression reverb pitch correction and more. You can customise the parameters of each of the effects and then save them to recall later. Plug in your phone and sing along with your favourite tracks. Create amazing vocals with ease with the TC Helicon VoiceLive Play.

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Kick-In Effects The powerful HIT function allows you to punch in multiple effects with a single button press allowing you to add those harmonies during a chorus reverb for a breakdown and delayed vocals when you need them. The VoiceLive Play features a range of vocal-made effects including backing harmonies vocal double tracking pristine EQ and compression reverbs hard-tuned robot voice and more. Adjustable Parameters On-board are hundreds of high-quality presets for you to choose from. You can search through them easily by genre artist names and effect types to quickly get the effect you need. The VoiceLive Play allows you to adjust the parameters of these effects so you can customise them to your preference. You can then save these customised presets to recall later for your performance. You can save a number of presets allowing you to have a different preset for each track. Additionally you can adjust the mix of multiple effects for your performance. Looping The VLOOP feature allows you to easily create vocal loops for solo jamming and layered live performances. It is also ideal for when you want to perform your own soundcheck. Record a short phrase loop it then walk around the room to soundcheck your levels. Ideal for Practising At Home The VoiceLive Play is also ideal for practising at home. The Vocal Cancel feature allows you to sing along with your MP3 player and have your voice stand out over the original vocals. A USB connection means you can hook up to your computer and record your vocals. VoiceLive Play also has a dedicated practice mode that analyses your performance in real-time so you can spot your strengths and focus on your weaknesses. The Auto Key technology senses and adapts to your music using the AUX input for the built-in RoomSense microphones ensuring perfect harmonies and pitch correction with no effort on your part. Reviews “[VoiceLive Play] offers a lot of different processing options for the live vocalist but is sufficiently robust that you wont feel worried about using it in the average venue. It doesnt look out of place alongside guitar pedals amps and other such stage gear and the foot pedal control works well.” – Sound On Sound Features Compact 3-button vocal multi-effects stompbox with looping makes it easy to have a professional sound Quickly create professional studio quality vocals with a suite of production-caliber vocal effects VLOOP performance looper with undo/redo and unlimited overdubs RoomSense mics automatically control harmony no music theory required Powerful HIT function for punching in multiple effects with a single button press AUX input with Vocal Cancel lets you plug in an MP3 player and sing with your favourite music 200+ song and artist-inspired presets with hundreds more available online Practice function with statistics collection and real-time pitch display gives you valuable feedback on your singing Adaptive Tone for perfect EQ compression de-essing and gating USB for streaming audio preset downloads and firmware updates Compatible with remote Mic Control using the TC Helicon MP-75 or MP-76 microphones (available separately)Specifications Power: External Power Supply Mains Voltage Dimensions (mm): H x 45 W x 200mm D x 156mm Weight (kg): 0.95kg Construction: Dual die-cast casing acrylic lens rubberised footings Display: Graphic LCD Display Included: Region-specific power supply USB Cable User guide USB: USB-B (Firmware updates preset management audio I/O Connectivity: Pedal: 1/4 TRS phone jack

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The Boss VE-1 is a vocal echo effects pedal designed for professional vocalists. It is specifically created to add space and depth to any vocal performance. With its seven rich reverb algorithms and adjustable level and tone controls, the VE-1 allows users to achieve characterful and professional vocal sounds that enhance their overall performance.

This stompbox is suitable for both stage and studio use. On stage, it offers easy and intuitive controls in a straightforward user interface, making it simple to operate during performances. In the studio, the VE-1 can be connected via USB audio to enhance recordings, such as YouTube videos, or to send effects directly into a digital audio workstation (DAW). It also has a memory feature that enables users to save up to four favorite settings and easily switch between them, allowing for creative experimentation on stage.

The VE-1 delivers excellent sound quality with its seven high-quality reverb algorithms, ranging from subtle depth to epic ambient effects. The tone and depth controls allow users to emphasize specific characteristics of their chosen algorithm and blend it with their dry signal to find the perfect balance for their show. Additional effects, such as enhancer, double, and pitch correct, help add an extra touch of professional polish to vocal performances.

Not only is the VE-1 perfect for live performances, but it also finds its place in the studio. Its patch memory feature allows for the storage of up to four preferred settings, which can be seamlessly switched using a footswitch. The phantom power on the unit enables connectivity with both dynamic and condenser microphones. Furthermore, the USB audio connectivity allows for direct recording into a DAW for home and studio recording. The VE-1 can even be used as a vocal mixing effect. It is powered by either batteries or mains AC power, making it easy to transport and connect in any setting.

Key Features:
– Vocal processor unit with reverb effects
– Seven echo algorithms for creating custom spaces easily
– Adjust tone and level controls to achieve desired character and mix of effects
– Vocal doubling effect thickens vocals
– Pitch correction for subtle performance enhancement or creative robotic sounds
– Enhancer effect adds excitement and presence
– Suitable for both live performances and studio recordings
– Memory function to save and recall favorite settings
– Footswitch input for seamless switching between saved sounds
– USB audio port for direct connection to DAWs
– Can be powered by batteries or AC power for portability.

Please note: The Boss VE-1 comes with four AA batteries included, but the AC adaptor is sold separately.

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Selling your equipment to Gear4music is straightforward. Just click “Trade-in your gear” above and answer some quick questions about your item. We’ll tell you how much you’ll get before you sell. We’ll also arrange to collect the item from you, ensuring its journey to us is fully insured. Once we receive your gear, we’ll let you know. When the item has been checked and verified, within a few days, you’ll get paid! Selling to us also means you don’t have to write product listings or answer questions from potential buyers.

All the Good Stuff

The FBQ1502 features the amazing FBQ Feedback Detection System that instantly detects feedback frequencies and can also be used as an audio analyzer, making the FBQ1502 a welcome addition to any touring rack. Another FBQ1502 highlight is its dedicated mono subwoofer output with adjustable crossover frequency that lets you add some extra punch to your music.

Pure Musical Sound

This incredible rack unit goes the extra mile to make sure you sound your best. An additional low-cut filter removes unwanted frequencies, such as floor rumble, while a highly accurate 4-digit LED output metering and input gain control let you easily adjust levels. High-quality components abound, such as the ultra low-noise audio operational amplifiers for outstanding sound performance, and the servo-balanced inputs and outputs with 1/4″ TRS and gold-plated XLR connectors. Outstanding reliability is guaranteed with the high-quality illuminated faders, detent potentiometers, and illuminated switches.

Special Tools for Low Frequencies

The low-frequency sound range requires special attention. That’s why the FBQ-PRO Series features a Low Cut filter, in addition to the frequency faders, to help remove unwanted low frequencies, such as floor rumble, room resonance, electrical hum, etc. This filter is preset on the FBQ1502 to remove all content below 25 Hz, which can really eat into your power amp’s headroom.

Crossover Not Required

Speaking of special low-frequency tools, all three FBQ-PRO models feature a dedicated subwoofer output with an adjustable (30 – 200 Hz) cut-off frequency. Balanced XLR Outs are provided so you can connect to power amps or directly to your active subwoofers without any additional hardware.

FBQ Feedback Detection System

The FBQ Feedback Detection System is one of the most outstanding features of our graphic equalizers. This ingenious circuitry helps you recognize and eliminate feedback frequencies immediately. When feedback is sensed in a specific frequency range, the LED on the associated fader lights, so you know at a glance which fader to lower to eliminate the feedback. BEHRINGER’S proprietary FBQ Feedback Detection System makes it easy for even the novice operator to defeat live sound’s natural enemy – feedback!

Features/Specifications:

– Professional 15-band stereo graphic equalizer for live and studio applications
– Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as an audio analyzer
– Dedicated mono subwoofer output with adjustable crossover frequency
– Additional low-cut filter removes unwanted frequencies
– Highly accurate 4-segment LED output metering and input gain controls
– Ultra-low noise audio operational amplifiers for highest signal integrity
– Servo-balanced inputs and outputs with 1/4″ TRS and gold-plated XLR connectors
– Shielded toroidal power transformer for ultra-low noise performance
– High-quality components and exceptionally rugged construction ensure long life

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Selling your equipment to Gear4music is straightforward. Just click “Trade-in your gear” above, answer some quick questions about your item, and we’ll tell you how much you’ll get. We’ll arrange to collect the item from you, ensuring its journey to us is fully insured. Once we receive your gear, we’ll let you know. When the item has been checked and verified, within a few days you’ll get paid. Selling to us also means you don’t have to write product listings or answer questions from potential buyers.

Intelligent Feedback is your enemy. And sometimes it can be hard to stop it in its tracks. But not with the Behringer FBQ1000. Utilizing an astounding response time of less than 0.2 seconds, this ultra-fast feedback destroyer detects up to twelve feedback frequencies on each of its channels automatically. Once troublesome frequencies have been detected, the device is able to set a selection of extremely-narrow notch filters spanning up to 1/60th of an octave that enable the device to eliminate that dreaded feedback. Thanks to the narrow nature of each filter, the rest of your signal remains untouched, keeping your sound feedback-free and full of life.

Intuitive Getting your sound right in a live setting can feel frustrating. There are endless hurdles to overcome, and the last thing you need is to have to keep adjusting parameters every few seconds to keep everything running smoothly. But when it comes to the destruction of detrimental feedback, the FBQ1000 takes that pain away. By default, this versatile device boasts a Set-and-forget setting that means you can be up and running in seconds. But that’s not all. A handy Auto mode continuously monitors your mix. Programmed filters are automatically reset, instantly eliminating feedback the second that it’s detected. And if you’d prefer to take control yourself, Manual mode lets you program a maximum of 24 fully-parametric filters for optimizing your sound. Each filter lets you adjust the Frequency, Bandwidth, and Gain for maximum performance.

Built for the road If you’ve spent more than a few minutes at any kind of event, you know how demanding they can be. Throw in the journeys to and from said event, and that can start to take a real toll on your equipment. That’s why the FBQ1000 was built to last. With a rack-mountable design, you can easily install your feedback destroyer into a rugged hard case for worry-free transportation and operation. Plus, the FBQ1000’s rugged metal chassis will keep the precious internal components safe should the worst ever happen. And with Behringer’s 3-year warranty program, you can destroy feedback with complete confidence for years to come.

Features include:
– High-performance 2-channel feedback destroyer and parametric equalizer
– Automatically and intelligently locates and destroys up to 24 frequencies
– Ultra-narrow FBQ filters for extremely effective feedback suppression while maintaining exceptional sound quality
– Set-and-forget default setting enables immediate and super-easy Feedback Destroyer performance
– Auto mode continuously monitors the mix and automatically sets filters
– Single-Shot mode automatically detects and destroys feedback, plus locks the filter until you manually reset it
– Manual mode allows the setting of up to 24 fully-parametric filters with individual frequency, bandwidth, and gain parameters
– Extensive MIDI implementation and user preset memories for instant program recalls
– Balanced inputs and servo-balanced outputs with 1/4 TRS and gold-plated XLR connectors
– Covered by Behringer’s 3-year warranty program
– Designed and engineered in Germany

Specifications:
Inputs:
– Connectors: XLR and 1/4 TRS
– Type: RF-filtered servo-balanced input
– Impedance: 60 k Ohms balanced, 30 k Ohms unbalanced
– Nominal Operating Level: -10dBV to +4dBu (switchable)
– Maximum Input Level: +4dBu
– Nominal Level: +16dBu, -10dBV

Outputs:
– Connectors: XLR and 1/4 TRS
– Type: Electronically servo-balanced output stage
– Impedance: 60 k Ohms balanced, 30 k Ohms unbalanced
– Maximum Output Level: +4dBu
– Nominal Level: +16dBu, -10dBV
– Bandwidth: 20Hz to 20kHz +0/-1dB

MIDI Interface:
– Type: 5-pin DIN socket IN/OUT/THRU

Digital Processing:
– Converters: 24-bit Sigma-Delta 64/128-times oversampling

Display:
– Type: 2 1/2-digit numeric LED display

Power Supply:
– 240V 50Hz (T 100mA L 250V)
– Power Consumption: Approx. 15W max.
– Mains Connection: Standard IEC receptacle

Dimensions:
– 44mm x 483mm x 195mm / 1.7 x 19 x 7.7 (H x W x D)

Weight:
– 1.9kg / 4.22lbs

Product Code: FBQ1000

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Selling your equipment to Gear4music is straightforward. Just click “Trade-in your gear” above and answer some quick questions about your item. We will tell you how much you’ll get before you sell. We will arrange to collect the item from you, ensuring its journey to us is fully insured. Once we receive your gear, we’ll let you know. When the item has been checked and verified within a few days, you’ll get paid! Selling to us also means you don’t have to write product listings or answer questions from potential buyers.

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Unique and Advanced Bit/Sample Crusher
Bitrazer is an intense bit and sample rate crusher effect that can add edgy character or create total sonic mayhem. Using the large comfortable controls or standard 1/8″ patch cables, you can independently control the sample rate, filter type, cutoff, resonance, bit depth, and signal bypass. Both the sample rate and filter cutoff parameters have input level controls for adjusting the modulation range when controlled from an external source.

Two inputs and two outputs make Bitrazer a stereo-capable 24bit/96kHz audio interface for Eurorack systems, and AIRA Link USB compatibility gives it single-cable plug and play connectivity with the MX-1 Mix Performer.

Expandable & USB Connectivity
While it sounds great out of the box, you can fully customize Bitrazer’s internal signal path by re-patching its array of virtual sub-modules, via a custom application that works on Mac and PC, as well as iOS and Android devices. Submodules are re-patched through a simple and intuitive drag and drop interface that even lets you choose which parameters are assigned to the high-resolution “GRF” knobs. You can reprogram Bitrazer in real-time via USB connection or save and recall patches with a simple audio signal. You can even share patches with other Bitrazer users.

Features
– Intense Bit and Sample Rate Modular Effect Unit
– CV/Gate Parameter Control Including Sample Rate, Bit Depth, and Filter
– Tape-top Unit or 12 HP Eurorack Mountable
– 24-Bit Knobs with over 16 Million Steps of Resolution
– 15 Patchable Submodules
– Expandable with Free Updates
– 2 Inputs and 2 Outputs with Dual-Mono or Stereo Capability
– 24-Bit/96Hz Audio Interface
– Re-Programmable via Mac, PC, iOS, and Android
– AIRA Link Compatible
– Includes Braided Patch Cables

Specifications
Inputs: 2 x 1/4″ Jack, 1 x 1/4″ Remote In
Outputs: 2 x 1/4″ Jack
Other Connections: 1 x DC Input, 1 x USB
Controls: 2 x Sample Rate, 2 x Level, Bit Down, Resonance, LPF/HPF, Bypass, Volume
Rack Mount Size: 21 HP Eurorack
Submodules: LFO, ADSR, Noise, Sample & Hold, Ring Mod, Filter, 6dB Filter, 12dB Filter, Tone, Amp, Mixer, Stereo Mixer, Curve Conv, Gate Divider, Trig to CV, Delay Time, MIDI Clock to Gate

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The Behringer SX3040 V2 Sonic Exciter and Stereo Sound Enhancer is a versatile sound enhancement tool that can fulfill all your audio needs. Whether you want to add punch, depth, or clarity to your mixes or Hi-Fi setup, this compact unit has got you covered. Unlike factory-made presets, the SX3040 V2 gives you complete control over the driver tune and mix of each bass processor and sonic enhancer.

With exceptional performance, reliable construction, and an affordable price tag, the Behringer SX3040 V2 is a perfect addition to any live studio or home setup for outstanding quality audio.

The SX3040 V2 features an internal switch-mode power supply, which ensures noise-free audio performance and low power consumption. It is compatible with a working voltage range of 100V to 240V, allowing you to use it anywhere in the world.

Designed for various environments, the SX3040 V2 is suitable for recording and broadcast studios, live performance venues, home Hi-Fi setups, and more. Combining a Bass Processor and Sonic Exciter into a single unit, it allows you to add articulation, dynamics, depth, and power to your sound with ease. The SX3040 V2 lets you enhance the full sonic spectrum, adding sparkle and clarity to the highs, tightening up bass frequencies, and bringing width and focus to the mids. It is perfect for delivering crisp vocals and clear speech, enhancing your drum bus and bass, and breathing life into your PA.

The SX3040 V2 has found its home everywhere, from houses of worship to nightclubs, studios, and stadiums. It dramatically improves your sound by adding clarity, dimension, and depth. By producing natural brightness through harmonic enhancement and tighter bass with increased punch through phase compensation, it ensures a professional and high-quality sound.

The SX3040 V2 doesn’t require additional speakers or amps to improve the performance of your sound system. It adds sparkling high-end and super-tight bass, increasing voice intelligibility and the presence of your music. It also improves articulation and restores the cutting power of your instruments that may be lost in miking and amplification. The SX3040 V2 is not limited to big sound systems; it is also suitable for small car or computer speakers, 5.1 setups, and Hi-Fi systems. It enhances the spatial dimension of your sound system and delivers stunning life-like audio.

This device offers dedicated controls for each channel on the Sonic Exciter section (TUNE, HARMONICS, MIX) and the Bass Processor section (DRIVE, TUNE, MIX). It features servo-balanced inputs and outputs with 1/4 TRS and gold-plated XLR connectors for optimal signal transfer.

The SX3040 V2 has a compact and robust design, and its internal switch-mode power supply ensures noise-free audio and low power consumption. It is designed and engineered in Germany, guaranteeing high quality and reliability.

Specifications:

– Input Connectors: 2 x XLR balanced, 2 x 1/4 TRS balanced
– Input Impedance: Balanced: 22k Ohms, Unbalanced: 11k Ohms
– Nominal Input Level: +4dBu
– Maximum Input Level: +22dBu
– CMRR: Typically >55dB at 1kHz
– Output Connectors: 2 x XLR balanced, 2 x 1/4 TRS balanced
– Output Impedance: 100 Ohms (balanced and unbalanced)
– Maximum Output Level: +21dBu
– Frequency Response: 10Hz to 50kHz +/-1dB
– Signal-to-Noise Ratio: >-93dBu 22Hz to 22kHz unweighted
– THD: Channel-to-Channel Crosstalk:
– Bass Processor Type: Frequency-selective processor with phase shifter
– Filter Cut-Off Frequency: 50Hz – 145Hz adjustable
– Sonic Exciter Type: Harmonic processor
– Filter Cut-Off Frequency: 1.2kHz – 11kHz adjustable
– Power Supply: Auto-ranging 100-240V 50/60Hz
– Power Consumption: 15W
– Mains Connection: Standard IEC receptacle
– Dimensions: 1.7 x 19 x 5.9 / 44mm x 483mm x 150mm (H x W x D)
– Weight: 3.3lbs / 1.5kg
– Product Code: SX3040 V2

For more information, please visit the link: More info…

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The SSL Pure Drive Quad is a powerful four-channel 2U rackmount unit that brings the acclaimed SuperAnalogue PureDrive microphone preamp technology from Solid State Logics ORIGIN console into a compact and versatile format. Originating from SSLs renowned ORIGIN recording console the PureDrive microphone preamp found in the Pure Drive Quad retains the exceptional clarity and punch of previous SSL designs. What sets it apart is the addition of a new Drive mode allowing you to switch the character of the preamp to a warm harmonically rich and driven tone that evolves with the gain. This innovative feature allows you to capture the delicate nuances of a piano concerto in PURE mode or add warmth to drums when set to DRIVE. Its no wonder that the PureDrive microphone preamp has become a must-have tool in some of the worlds top studios and recording facilities due to its flexibility and superb sonic signature. With the Pure Drive Quad you get Four microphone preamps that offer both the Pure and Drive modes allowing you to create a wide range of tonal possibilities. Additionally it introduces an Asymmetric Drive mode for even more sonic exploration. The unit also features advanced digital connectivity and an onboard USB interface making it a convenient and versatile option for modern recording setups.

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PureDrive mic preamps – classic analog warmth The SSL Pure Drive Quad is a revolutionary outboard microphone preamplifier that boasts four independent mic preamps. Each preamp can be individually switched between three distinct DRIVE modes offering a wide range of sonic possibilities. In Clean mode you can expect the ultra-low noise floor and pristine sound quality that SSL is renowned for. The Classic Drive mode provides the symmetrical drive sound found on the ORIGIN console giving your recordings a vintage analog warmth. For a new colouration option the Asymmetric Drive mode emphasizes even harmonic content resulting in a more pronounced thickness and softening of transients. With these versatile drive modes the Pure Drive Quad delivers exceptional clarity detail and sonic character to enhance your recordings. Not only that but the Pure Drive Quad also provides you with four different mic preamp impedance options so you can explore different tones for dynamic/ribbon microphones. Wide range of connection options The Pure Drive Quad is equipped with advanced connectivity options that make it a versatile tool for professional recording scenarios. It features four rear-mounted combo XLR inputs allowing you to connect a variety of microphones. Additionally there are four front-panel Hi-Z/DI instrument inputs with automatic detection perfect for capturing the raw power of guitars and basses. To accommodate line-level inputs the Pure Drive Quad provides three sets of D-sub connectors as well as insert send and return functionality for integrating external processors into your signal chain. Furthermore the insert returns/ADC inputs can handle up to full +24 dBu line-level signals ensuring compatibility with other professional equipment. Intuitive digital integration The Pure Drive Quad seamlessly integrates with your digital audio workstation (DAW) thanks to its comprehensive digital connectivity options. It features an integrated USB sound card that provides four channels of audio into your DAW at up to 32-bit/192kHz resolution. This makes it an excellent choice for recording bands in a professional studio or working on production projects. Additionally the Pure Drive Quad offers four AES/EBU output pairs and an ADAT out allowing you to send up to four channels of audio at 24-bit/48kHz or up to four channels at 24-bit/192kHz via SMUX. Whats more the AES and ADAT outputs can be individually reconfigured to be fed from the onboard USB sound card providing ultimate flexibility in your signal routing. Lastly the Pure Drive Quad features auto-ranging word clock input and output for precise digital clocking ensuring a stable and reliable recording experience. Features Four high-end PureDrive™ microphone preamps – incorporated from SSLs iconic ORIGIN recording console Various control features including +48V phantom power polarity reversal and a 3rd order hi-pass filter A finely-tuned Gain control that ascends up to +65 dB enabling precise modification of audio levels Three distinctive modes for each preamp – Clean Classic Drive and Asymmetric Drive for customised sound output Options for microphone/line input switching via XLR or choice of TRS Jack or dedicated D-Sub connectivity Four input impedance options for your dynamic and ribbon microphones encouraging tonal experimentation Four front panel Hi-Z/DI Instrument unbalanced inputs with automatic input detection Balanced analog outputs/insert sends for routing to external processing equipment +24 dBu professional-grade line level insert returns/ADC inputs Advanced connectivity options via ADAT AES and USB Capability to toggle ADAT and AES connections to access audio from DAW outputs (USB) instead of the A/D converter Incorporates a USB soundcard mode with 4 in / 8 out (@44.1/48 kHz) Precision and stereo matching facilitated by stepped pots and digitally controlled analog circuitry Supports conversion at up to 192 kHz and 32-bits professional I/O levels (+24 dBu = 0 dBFS) Sleectable Auto-Sleep mode Auto-ranging Wordclock I/O connectivity Specifications Product Code: SSL0124

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The SSL Pure Drive Octo is a powerful eight-channel 2U rackmount unit that brings the acclaimed SuperAnalogue PureDrive microphone preamp technology from Solid State Logics ORIGIN console into a compact and versatile format. Originating from SSLs renowned ORIGIN recording console the PureDrive microphone preamp found in the Pure Drive Octo retains the exceptional clarity and punch of previous SSL designs. What sets it apart is the addition of a new Drive mode allowing you to switch the character of the preamp to a warm harmonically rich and driven tone that evolves with the gain. This innovative feature allows you to capture the delicate nuances of a piano concerto in PURE mode or add warmth to drums when set to Drive. Its no wonder that the PureDrive microphone preamp has become a must-have tool in some of the worlds top studios and recording facilities due to its flexibility and superb sonic signature. With the Pure Drive Octo you get eight microphone preamps that offer both the Pure and Drive modes allowing you to create a wide range of tonal possibilities. Additionally it introduces an Asymmetric Drive mode for even more sonic exploration. The unit also features advanced digital connectivity and an onboard USB interface making it a convenient and versatile option for modern recording setups.

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PureDrive mic preamps – classic analog warmth The SSL Pure Drive Octo is a revolutionary outboard microphone preamplifier that boasts eight independent mic preamps. Each preamp can be individually switched between three distinct DRIVE modes offering a wide range of sonic possibilities. In Clean mode you can expect the ultra-low noise floor and pristine sound quality that SSL is renowned for. The Classic Drive mode provides the symmetrical drive sound found on the ORIGIN console giving your recordings a vintage analog warmth. For a new colouration option the Asymmetric Drive mode emphasizes even harmonic content resulting in a more pronounced thickness and softening of transients. With these versatile drive modes the Pure Drive Octo delivers exceptional clarity detail and sonic character to enhance your recordings. Not only that but the Pure Drive Octo also provides you with four different mic preamp impedance options so you can explore different tones for dynamic/ribbon microphones. Wide range of connection options The Pure Drive Octo is equipped with advanced connectivity options that make it a versatile tool for professional recording scenarios. It features eight rear-mounted combo XLR inputs allowing you to connect a variety of microphones. Additionally there are four front-panel Hi-Z/DI instrument inputs with automatic detection perfect for capturing the raw power of guitars and basses. To accommodate line-level inputs the Pure Drive Octo provides three sets of D-sub connectors as well as insert send and return functionality for integrating external processors into your signal chain. Furthermore the insert returns/ADC inputs can handle up to full +24 dBu line-level signals ensuring compatibility with other professional equipment. Intuitive digital integration The Pure Drive Octo seamlessly integrates with your digital audio workstation (DAW) thanks to its comprehensive digital connectivity options. It features an integrated USB sound card that provides eight channels of audio into your DAW at up to 32-bit/192kHz resolution. This makes it an excellent choice for recording bands in a professional studio or working on production projects. Additionally the Pure Drive Octo offers four AES/EBU output pairs and an ADAT out allowing you to send up to eight channels of audio at 24-bit/48kHz or up to four channels at 24-bit/192kHz via SMUX. Whats more the AES and ADAT outputs can be individually reconfigured to be fed from the onboard USB sound card providing ultimate flexibility in your signal routing. Lastly the Pure Drive Octo features auto-ranging word clock input and output for precise digital clocking ensuring a stable and reliable recording experience. Features Eight high-end PureDrive™ microphone preamps – incorporated from SSLs iconic ORIGIN recording console Various control features including +48V phantom power polarity reversal and a 3rd order hi-pass filter A finely-tuned Gain control that ascends up to +65 dB enabling precise modification of audio levels Three distinctive modes for each preamp – Clean Classic Drive and Asymmetric Drive for customised sound output Options for microphone/line input switching via XLR or choice of TRS Jack or dedicated D-Sub connectivity Four input impedance options for your dynamic and ribbon microphones encouraging tonal experimentation Four front panel Hi-Z/DI Instrument unbalanced inputs with automatic input detection Balanced analog outputs/insert sends for routing to external processing equipment +24 dBu professional-grade line level insert returns/ADC inputs Advanced connectivity options via ADAT AES and USB Capability to toggle ADAT and AES connections to access audio from DAW outputs (USB) instead of the A/D converter  Incorporates a USB soundcard mode with 12 in / 12 out (@44.1/48 kHz)  Precision and stereo matching facilitated by stepped pots and digitally controlled analog circuitry Supports conversion at up to 192 kHz and 32-bits professional I/O levels (+24 dBu = 0 dBFS) Sleectable Auto-Sleep mode Auto-ranging Wordclock I/O connectivity Specifications Product Code: SSL0125

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Solid State Logic The Bus+ is the flagship Solid State Logic stereo bus compressor encompassing all the character of the original with a range of upgraded features and functions. Synonymous with SSL The Bus+ takes decades of research and development and distills it into the most functional and versatile stereo bus compressor to date. Used throughout popular music production history The Bus+ will quickly become your new go-to for any audio applications requiring the signature SSL touch. Called upon by many of the worlds leading engineers producers and mixers The Bus+ is constructed using only the finest components and parts to create unrivalled sonic fidelity. Sonic perfection is paired with added versatility through a two-band dynamic EQ high-frequency transient detection three distinct compression voicings and more the result is a must-have for all industry professionals. Remaining faithful to the original The Bus+ continues to be the most reliable tool for creating harmonious glued mixes adding the professional edge to your productions and mixes.

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Pin down your mixes Tame dynamics in your instruments effects and entire mix. The crux of all good professional sounding mixes a solid bus compressor can make or break your track. Adding too much will introduce unwanted distortion and pumping (unless used as a creative choice) to your tracks and too little could result in an imbalanced mix that isnt consistent enough to compete with major label releases. Solid State Logic introduces The Bus+ the most authentic SSL-style bus compressor to date to help alleviate any of these problems you might have in your mix. Glue instruments and sounds together for a harmonious sound just like you hear on all of your favourite records. Premium VCA design A staple in the professional music production world The Bus+ opts for a VCA design. Chosen for its specific character and response the VCAs used within The Bus+ are top-of-the-line high-performance 2181 THAT VCAs. Operating by attenuating signals based on incoming control voltage the result is a highly flexible range of compression sounds that span anywhere from subtle and gentle to the wild and extreme. Ideal for just about any application the VCA design of The Bus+ doesnt favour any instrument in particular but is instead used to glue together lots of different elements within a mix handling anything that is thrown at it to create cohesion and balance in your mix. An extremely clean design the Solid State Logic The Bus+ is still capable of high levels of gain reduction however if its pushed too hard it will be sent into overdrive adding clipping and saturation onto your tone for extra character and grit. Add flavour and character with three onboard modes Compression inherently adds a distinctive flavour to your tone. The signal attenuation creates complex interactions between the instruments creating a unique flavour through the VCA-style compression within The Bus+. Sparing no expense The Bus+ features three additional colouration options to add tonal variety to your signal. Each of the three modes can be used independently or simultaneously for a unique and tailored experience for your mix or productions. 4K mode has been used in previous Solid State Logic products and is employed in The Bus+ to add grit to your tone through variable harmonic distortion. Ideal when working with hard-hitting electronic or rock music the 4K mode complements the aggressive nature of the sounds and instruments to emphasise the mode of the genres. Ideal when working with cleaner genres the Low THD mode offers a controlled low-end by reducing low-frequency distortion. Slower and more relaxed genres will benefit from the Low THD mode allowing for a cleaner-low end even under high compression ratios. Bass drums and bass guitar in blues jazz or acoustic music will remain glued with your mix whilst not being overly suffocated to bloom more creating a natural and warm low-end response that fills out your mix. Subtle tonal shaping for non-band orientated music such as vocal ensemble recordings or voice-over work will pair perfectly with the F/B mode. This reduces the intensity of your compression for a more relaxed sound letting you create cohesion in your mix without adding any unwanted artefacts or timbral changes in your sound. All the bells and whistles The Bus+ ascends as the flagship compressor within the SSL range of products. With good reason The Bus+ features everything you need to create the perfect compression for your project or mix. Far more than a simple 2-bus compressor The Bus+ is an all-encompassing signal processor that can work on a myriad of different sources and applications. For mastering applications the stepped controls remove any possible subtle variations in settings between the left and right channels and help you to come to decisions quicker without dialling between two finite parameters. Coupled with this is a slew of different frequency controls allowing The Bus+ to be used as much more than a compressor. Per channel a two-band dynamic EQ is employed to give you control over the low and high-frequency content helping to suppress excessive boominess or sharpness when compressing a signal to extreme levels. Often compressing a signal may subdue the transient response leading to a dull attack that might set your sound back in the speakers. Instruments such as drum shells in a heavy mix context will lose impact and sustain when under heavy compression. To combat this The Bus+ adds a high-frequency transient expander to re-introduce some lost articulation and attack to get your sound jumping through the speakers. Additionally a simple stepped high-pass filter lets you leave any low-frequencies uncompressed up to 300Hz in steps of 10Hz ideal for compressing the mid and high-frequency information in a spikey distorted electric guitar or vocal signal. Comprehensive side-chain control is present with both side-chain inputs and sends inputs and outputs on the rear of the unit allowing you to pair your Solid State Logic Bus+ with external outboard equipment seamlessly. Rounding out the stunning range of features is the ability to configure the processing order of your signal shifting the compression pre or post dynamic EQ altering the response of your signal as it hits The Bus+. FeaturesFlagship incarnation of an industry classic The ultimate studio bus compressor perfect for any audio application from mixing to mastering Comprised of top-of-the-line components including high-performance 2181 THAT VCAs Four modes of operation make it suitable for any audio source including classic stereo Sidechain Stereo Dual Mono or Mid-side Fine-tuned Attack and Release control times including all-new Auto 2 setting Three colouration options add slight variety and flavour to your tone and can be used individually or simultaneously 4K mode operates with single VCA adding grit to your sound through variable harmonic distortion Low THD mode cleans the bottom-end for a more controlled compression setting by effectively reducing low-frequency distortion Reduce the intensity of your compression with F/B mode for a more relaxed sound Unrivalled sonic fidelity with crystal clear signal integrity and tonal balance Stepped controls pair perfectly with mastering applications Two-band dynamic EQ offers low and high-frequency suppression under extreme compression settings High-frequency transient expander allows you to add attack back to heavily compressed audio signals Configurable processing order to move compression pre or post EQ External side-chain inputs and sends for integration with other outboard units Leave your low-end un-compressed with a variable high-pass filter up to 300Hz in steps of 10Hz Run your signal in parallel using mix control for powerful parallel compression techniquesSpecifications Audio PerformanceFrequency Response: 20Hz – 20kHz +/-0.05dB THD+N:-88 dB / 0.004% typical – LF In 40 Hz at 0 dBu -81 dB / 0.008% typical – HF In 10 kHz at 0 dBu 40 kHz BWHeadroom: Less than 27 dB Noise:-90 dBu typical LF-in -87 dBu typical HF-inLF Gain Accuracy: +/-0.05 dB typical – LF In 40 Hz at 0 dBu: -10 dB to +10 dB HF Gain Accuracy: +/-0.05 dB typical – HF In 10 kHz at 0 dBu: -10 dB to +10 dB Stereo Matching:Less than 0.05 dB – LF/HF In 20 Hz to 20 kHz at 0 dBu Less than 0.1dB – LF In 40 Hz any gain change Less than 0.1dB – HF In 10 kHz any gain changePowerPower Supply: Auto-Ranging 100-240 VAC Operating Power: 38 Watts Sleep Power: Less than 1 Watt Auto-Sleep Power: 10 WattsPhysicalDimensions (H x W x D): 88 x 480 x 328 mm Weight: 5.92KgConnectionsInputs: Female XLR x2 External Inputs: Female XLR x2 Outputs: Male XLR x2 External Sends: Male XLR x2GeneralProduct code: SSL0117

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A suite of tools for your studio set up. The SSL Fusion is a powerful all-analogue 2U outboard processor which gives you drive saturation 2 band EQ and M/S stereo controls. This excellent processor is ideal for adding to your signal chain as it provides true analog tools with which to colour your sound and help your productions stand out. If you care about your sound then you know that analog provides what digital cannot. Pure warmth. The true sound of the Fusion will delight your ears with its fantastic compression vintage driver subtle SSL saturation exciting 2-band violet EQ controls and superb stereo M/S imagery controls. Take your productions further with the SSL Fusion.

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The ultimate tool to get the best from your mixes The five tools present on the SSL Fusion provide you with an incredible way to add finish and sparkle to your mixes. Once your song is mixed take it one step further with this incredible outboard tool. Help your mixes shine. The vintage drive helps bring out fresh harmonics in your song whilst the SSL Violet EQ is a two band beast. Bring out the vibrancy of your overall mix with this great equalisation tool. Deliver that distinct SSL sound with the powerful compressor. This compressor only affects high frequencies which gives your mixes a professional and smooth response and is great for taming that high-end fizz.Use stereo image to widen your mix and enhance the overall sound by manipulation the spatial stereo field. After all this be sure to thicken your mix with the SSL transformer. Logically laid out to help you perfect your music. Youll wonder how you coped without it. Streamlined design Every part of Fusion is built for efficiency. The intuitive layout begs for experimentation with parameters. The input and output trim controls allow you to closely monitor and adjust levels. The clear and easy to read LED displays help you navigate your audio with ease. With all the connections youll ever need – Fusion is the ultimate studio tool to help your polish your music to perfection. Reviews Fusion is so easy to use it’s all about using your ears and dialling in a tone that you like. It’s how audio should be. No messing about reach out and make it sound better. – Protools Expert Specifications Depth: 303mm / 11.9 inches (chassis only) 328mm / 12.9 inches (total including front panel controls) Height: 88.9mm / 3.5inches (2 RU) Width: 480mm / 19 inches Power: 50 Watts maximum 40 Watts typical Unboxed Weight: 5.86kg / 12.9lbs Boxed Size: 550mm x 470mm x 225mm (21.7″ x 18.5″ x 8.9″) Boxed Weight: 8kg / 17.6lbs Input Impedance: 10kΩ Output Impedance: 75Ω Frequency Response: 20Hz to 20kHz – ±0.05dB -3dB low rolloff – 5Hz -3dB high rolloff – 180kHz CMRR: 20Hz: 78dB 85dB typical 1kHz: 78dB 88dB typical Noise: Analyser filters/BW: 22Hz to 20kHz (AES17) All circuits off: -86dBu -91dBu typical Bypass: -94dBu typical Vintage Drive mid Drive mid Density: -75dBu typical Crosstalk: Analyser filters/BW: 22Hz to 20kHz (AES17) Generator +24dBu into one channel analyzer on the other channel (generator connected but not active) All circuits off / bypass: 1 kHz -110dB -115dB typical/ 20Hz -110dB typical

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