The Venue DI combines the features from three stompboxes into one acoustic preamp making it a comprehensive and useful tool for all performing acoustic musicians.

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The Venue DI is the first all-discrete acoustic guitar pre-amp to unite a transformer-coupled DI output an EQ and footswitches for its volume boost and tuner. The full capabilities of the Venue DI become clearer as you start to play. The 5-band EQ has tunable low-mid and high-mid band capability and is specifically tuned for acoustic instruments. The Venues transformer-coupled DI output allows for maxiumum isolation. The footswitch for volume boost can be used to compliment your playing style whether to compensate for changes in style or to highlight a solo. Players can use the DI to pre-set the desired amount of boost. There is also a footswitch for the chromatic tuner which is easy to read and mutes all outputs when activated so your tuning will not detract from your performance. The phase inversion button on the Venue DI will provide you with your best sound and feedback control even whilst the Garrett Null anti-feedback notch filter provides effective feedback control by sweeping the primary feedback range of your acoustic guitar and cutting the frequency that can cause feedback or ringing.The adjustable gain dial is one of the most important features to achieving optimum sound quality and signal-to-noise ratio. The LED clip meter visually optimizes the gain setting so you can get the appropriate setting every time. For further information about the LR Baggs Venue DI Pre-Amp please download the product manual PDF file from the link below.Press Reviews “If you need a clean-sounding preamp with plenty of gain powerful EQ DI functionality and a built-in easy-to-read tuner the Venue has everything you could ask for all in a single sleek well-designed package… Between the features and the clean sound the Venue might well be the only thing you need between your guitar and the sound system.” Acoustic Guitar Magazine”The Venue D.I. allowed me to isolate and elevate the low-mids without saturating the hi-mids in cloying brightness and let me access a fullness of tone I never thought I could access from this guitar again.” Guitar Gearheads”If you frequently plug into PA systems this can be a tone-saving device that can give you the option to control your sound completely. The clean boost and feedback control are simply fantastic and combined with the EQ Gain and Volume controls this could become essential gear for acoustic players everywhere”. Premier Guitar Magazine Features/Specifications Power Supply: 9V Battery or DC Adaptor (Not included) Battery Life: Approx 40 hours Weight: Approx 1 kg Size: 7.625″ x 7.5″ x 1.5″ Input/Output Impedence: 10 megohms/600ohms Gain: -12dB to +26dB Volume Boost: 0dBto +9dB adjustable EQ Casing: Sturdy and Durable Retro look

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The BOSS VE-8 Acoustic Singer is a compact preamp and module designed for singer/songwriters who play guitar. It offers studio-quality vocal and guitar processing with added effects like real-time harmonics and looping functions. The VE-8 is portable and ideal for acoustic guitar players and singers who want to add creativity to their performances. It is built with a durable chassis to withstand life on the road.

This compact module is designed for singer/songwriters, providing effects and studio-quality vocal processing. It has controls and functions for processing vocals and guitar. The BOSS sound processing brings out the best in vocals and guitar, with intuitive controls for adjustments. The VE-8 has 50 memory locations to save settings and setups for easy recall.

The VE-8 can process vocals and guitar signals. For vocals, simply plug in a microphone to the XLR input and dial in the desired effects. The vocal processing produces exceptional audio quality while maintaining the original sound’s nuances. It also has a chromatic pitch correction feature for live vocal tuning. The dedicated guitar channel offers parameters and effects such as acoustic resonance, reverb, chorus, and more. The Acoustic Resonance effect restores natural sound and eliminates unwanted sound typical of electro-acoustic pickups. The unit also includes a built-in tuner, phase switch, and notch filter to eliminate feedback.

One unique feature of the VE-8 is its ability to record and control loops and vocal harmonies. The looper allows you to record percussive rhythms, chord progressions, and vocal runs. It has footswitch control for recording and stopping loops. The harmony function has three modes: Automatic, Hybrid, and Fixed, allowing for different settings for generating vocal harmonies. The VE-8 also has a vocal doubling effect for increased vocal presence.

The VE-8 has various inputs and outputs for connectivity. It has a guitar instrument input, XLR mic input with phantom power, and an AUX input for connecting devices like smartphones. It has balanced XLR outputs for feeding the unit to a PA system and 1/4-inch outputs for stage monitors or amplifiers. The guitar and vocal channels feature a three-band EQ for tone shaping. The VE-8 can also be used as a recording interface via USB, compatible with digital audio workstation software.

The specifications of the VE-8 include input and output levels, memory capacity, and various effects for vocals and guitar. It has a display for easy monitoring and connectors for different audio devices. The power supply options include an AC adaptor and AA batteries. The VE-8 is compact and lightweight, making it easy to transport and use for performances.

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Inspired by the LR Baggs Handcrafted Video Sessions and Their experience in some of Nashville?s most prestigious studios Session Acoustic DI brings a new signature studio sound to your live rig. The Session DI enhances your acoustic pickup and imparts the rich sonic character that you?d expect from an experienced audio engineer using some of the worlds finest studio gear. They have captured this studio magic and put it into a compact easy-to-use DI that will transform your live sound.

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Studio Tools for the Stage ANALOG SATURATION – Often used by studio engineers in post-production saturation adds warmth dimension and pleasing harmonics while smoothing the signal for an enhanced mix. The Session DI?s proprietary saturation is voiced specifically for the acoustic guitar and transports studio analog warmth and inspiring playability to the stage. COMPRESSION EQ – Unlike standard compression that can squash the entire range of your signal the Session DI?s Comp EQ features 3 narrowly focused bands of compression that tame common problematic frequencies and uncover the voice of your guitar. The low mid and high frequency compressors are essentially touch-sensitive EQs that respond in real-time to your dynamics. The harder you strum the more they compress and vice versa. Relied upon by Coldplay Oasis David Gilmour and MGMT L.R Baggs pick-ups and on-stage DIs have gained a prestigious reputation for producing high quality equipment that effectively captures the body and soul of an acoustic guitar. Included Accessories: Analog Saturation enhances warmth and harmonic content Compression / EQ smoothes out common problem frequencies Garret Null notch filter tames resonate feedback Variable high-pass filter attenuates extraneous low frequencies VU meter visually optimizes gain for passive and active pickups Ground lift switch effectively eliminates ground-loop noise All discrete signal path with XLR and quarter inch outputs 48V phantom power 9V battery or 9V DC powering options Rugged enclosure constructed of aluminum steel and ABS plastic Mute footswitch for jack and XLR outputs

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The Radial Tonebone PZ-Deluxe Acoustic Preamp is the ultimate toolkit for acoustic sound. This is the most powerful acoustic preamplifier put into a pedal, making it perfect for guitars to violins, mandolins to cellos, and anything in between.

More of the sound you want. And less unwanted noise. The Tonebone PZ-Deluxe ensures optimal signal integrity with polarity reverse switch filter controls and ground lift. That means clear sound for all your instruments.

Dial your tone with the powerful 3-band EQ. Whether you need to scoop out the bass or emphasize your mids, the power is right there at your fingertips.

The new standard for plug and play. With the Tonebone PZ-Pre, it’s easy to connect your amp or in-ear monitors with the Amp Out output. Or plug in your tuner via the dedicated buffered output for silent operation on stage. All this and more from a pedal that’s small enough for any setup.

Need a boost? If your acoustic instruments are equipped with a piezo pickup, then you probably do. Thankfully, the PZ-Deluxe is here to help. This powerful preamp gets its superior audio from a class-A PZB booster. The Deluxe’s gain stage can be activated to increase input impedance to 10 meg ohms, eliminating squawk and harshness. That means ultra-quiet signal that’s adaptable to any type of pickup system.

Quickly adjust the volume of your boost for soloing and never worry about knocking your level thanks to the ‘set and forget’ design. This is everything you need for studio-quality sound on stage.

Features include:
– Perfect for all types of pickups and transducers
– Eliminate phase issues with the 180-degree polarity reverse switch
– Tame unruly low frequencies with the three-position lo-cut filter
– Simple control on stage via power booster and mute functions
– Perfect for piezo-equipped instruments thanks to the PZB-2 class-A booster
– Adjust the amount of boost for soloing with the side access ‘set and forget’ level control
– Total control of input volume level on both stage amp and DI outputs
– Dial your tone thanks to a semi-parametric 3-band EQ
– Remove hum and buzz caused by ground loops with the lift switch
– Plug directly into your tuner via the dedicated 1/4″ buffered output
– Easily feed your onstage amplifier or in-ear monitors via the Amp Out output
– Long cable runs without noise thanks to a built-in DI out
– Rugged construction for damage-free transportation
– Compact design can be included in almost any pedalboard setup

Specifications:
– Circuit type: Class A FET Hybrid Input Stage
– Frequency response: 20Hz – 18kHz (0/-3dB)
– Dynamic range: 105dB
– Total harmonic distortion: 0.03 @ -20dB output
– Equivalent Input Noise: -108dBu
– Intermodulation Distortion: 0.07
– Input Impedance – PZB Off: 6.8K-ohms
– Input Impedance – PZB On: 10M-ohms
– Gain – 1/4″ Input to stage amp out: +16dB (PZB-Off)
– Gain – 1/4″ input to XLR Out: +21dB (PZB-Off)
– Gain – PZB Piezo booster circuit: +10dB
– Gain – Boost On: +13dB maximum
– Output Impedance: XLR Output 4k-ohms
– Size: (6.1″ x 3.8″ x 2.1″) (155 x 96.5 x 53mm)
– Weight: 1.75lbs (0.8kg)
– Power Requirement: 15V (Nominal) 400mA Centre Pin Positive Adapter

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The Radial Tonebone PZ-Pre Acoustic Pre-Amp is a versatile tool for enhancing acoustic sound. It is a powerful preamplifier designed for pedal use, making it suitable for a wide range of instruments, from guitars to violins, mandolins to cellos. With two channels onboard, you can effortlessly switch and blend between your instruments at the touch of a button.

One of the key features of the Tonebone PZ-Pre is its ability to ensure optimal signal integrity. It includes a phase alignment switch, notch controls, and a ground lift, all of which help to minimize unwanted noise and maintain clear sound for your instruments. Additionally, powerful EQ controls allow you to shape your tone according to your preferences, whether you need to emphasize certain frequencies or reduce others.

The Tonebone PZ-Pre also offers convenient connectivity options. It allows you to connect both post and pre DI signals to your PA system and monitors, enabling you to have control over your sound at every stage of the signal chain. Furthermore, a dedicated buffered output allows you to connect directly to your tuner for silent operation on stage. Despite its powerful capabilities, this pedal maintains a compact size, making it suitable for any setup.

If your acoustic instruments are equipped with a piezo pickup, the PZ-Pre can provide the boost you need. Its superior audio quality comes from 100% discrete class-A PZB boosters, ensuring a quiet and adaptable signal for any type of pickup system. The boost switch on the PZ-Pre can be assigned different functions, giving you maximum flexibility. Connecting directly to your effects loop, this preamp gives you complete control over your instrument’s sound. With up to two instrument channels, you can effortlessly switch and blend your tones on stage within seconds.

The Tonebone PZ-Pre offers a range of features to enhance your acoustic tone. These include notch and resonance filters for eliminating feedback, pre and post radial DI outputs for optimal performance with PA systems and monitors, power booster and mute functions for easy control on stage, and an 8dB boost knob for adding gain during solos. The semi-parametric 3-band EQ allows you to dial in your desired tone, while the ability to control the input volume level on each channel ensures flexibility. Additionally, the pedal features a reverse switch to eliminate phase issues, a footswitch toggle for assigning boost effects loop or both to your boost switch, and a three-position lo-cut filter to tame low frequencies.

The PZ-Pre is specifically designed for piezo-equipped instruments, thanks to the PZB-2 class-A booster. It also includes an effects loop/send return for inserting external effects into the signal path, as well as a lift switch for removing hum and buzz caused by ground loops. For convenient tuning, a dedicated 1/4″ buffered output allows you to plug directly into your tuner.

Built with rugged construction, the Tonebone PZ-Pre ensures damage-free transportation, and its compact design allows it to fit into almost any pedalboard setup. Detailed specifications include various input and output options, impedance levels, switch types, and power supply requirements.

In conclusion, the Radial Tonebone PZ-Pre Acoustic Pre-Amp is a powerful and versatile tool for enhancing acoustic sound. It offers superior signal integrity, powerful EQ controls, convenient connectivity options, and features specifically designed for piezo-equipped instruments. With its compact design and rugged construction, this pedal is suitable for any musician looking to upgrade their acoustic tone.

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The Radial Tonebone PZ-Pro 2-Channel Acoustic Preamp is the ultimate toolkit for acoustic sound. It provides flawless signal for a wide range of instruments, from guitars to violins to cellos. With two channels on board, you can easily switch and blend between instruments at the touch of a button.

One of the standout features of the Tonebone PZ-Pro is its ability to ensure optimal signal integrity. It comes equipped with polarity reverse switches, notch controls, and powerful filters, all of which help eliminate unwanted noise and interference. This means that you can enjoy clear sound for all your instruments.

The preamp also features an intuitive 3-band EQ, allowing you to dial in your desired tone. Whether you need to adjust the bass or emphasize the midrange, the power is right at your fingertips.

In terms of connectivity, the Tonebone PZ-Pro makes it easy to connect post and pre DI signals to your PA and monitors. It also includes a dedicated buffered output for connecting to a tuner, ensuring silent operation on stage. Despite its powerful capabilities, the pedal is compact enough to fit into any setup.

The PZ-Pro is designed for instrumentalists who demand the best sound possible. It provides full tonal control for each channel, allowing you to switch between or blend two sources. Piezo-equipped instruments are fully catered for, with Boost functionality and feedback eliminating filter controls.

The preamp even allows you to connect a microphone, giving you the option to blend your pickup’s signal for a more natural sound. You can also add effects from your FX loop and tailor them to your performance using the dedicated wet/dry knob. The footswitch is fully adaptable, allowing you to assign boost, FX loop, or both.

Other notable features of the Tonebone PZ-Pro include the ability to assign the FX loop to input A, B, or both, as well as the option to blend FX into your dry input sources. It also includes a three-position switch, variable control, and high pass filter for removing unwanted frequencies.

The preamp has a semi-parametric 3-band EQ, allowing you to dial in your desired tone. It also offers full control of volume for each input channel and features 180-degree polarity reverse switches for correcting phase issues.

Additional features include the ability to sum inputs A and B, 48V phantom power for condenser microphones, and a dedicated tuner buffered output. The preamp also includes PRE EQ and POST EQ outputs for sending wet and dry signals to your PA and monitors.

The Tonebone PZ-Pro is built with durability in mind, featuring a heavy-duty steel chassis to protect it from knocks and drops. Despite its sturdy construction, it remains lightweight and compact, making it easy to fit into any pedalboard setup.

Please note that this is a new release and more information and technical specifications will be added as soon as they become available.

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Sensational acoustic clarity. The Fishman Platinum Stage EQ/DI Analog Preamp is the essential tool for any acoustic musician looking to bring increased dynamism to their live performances. Increase your volume without worrying about sound distortion. A high-speed circuit volume boost lets you bring your sound up beyond your instruments own capabilities and eliminates the distortion often associated with greater amplification. Ideal for when your acoustic pickup alone cant quite cut it in larger venues. Utilise the Fishman with a wide range of instruments thanks to its switchable guitar and bass EQ modes. A vital tool for every acoustic instrumentalist.

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The perfect gigging companion An important component for any acoustic live set-up. The Fishman Analog Preamp gives you the power to ramp up your volume while maintaining top-class sound quality. The ideal tool for gigging in larger venues or busking outdoors. Its ability to run on phantom power makes it perfect when battery power isnt an option. Furthermore its compact lightweight stature means transportation is tremendously easy. A switchable guitar/bass EQ mode affords you the freedom to apply Fishmans amazing sound engineering to a massive variety of acoustic instruments. More mobile instrumentalists can also utilise the preamp with ease with a belt-clip included. This is a crucial addition for any acoustic performer looking to give their live set-up a serious upgrade. Features 17-volt high-headroom discrete Class-A preamp 4-band tone control with sweep-mid and low frequency filter EQ mode tailors EQ for bass or most other instruments Phase control Volume boost switch with level control Balanced D.I. with pre/post EQ setting and auto Ground Lift Belt-clip included Specifications Type: Preamp Finish: Silver Power: 9-volt Battery (not included) 48-volt Phantom Power Fishman 910-R Power Adapter (optional) Battery Life: 70 hours Audio: 1/4″ Instrument Input 1/4″ Amp Output XLR Balanced D.I. Output Auto Ground Lift Tone Shaping: 4-band EQ with Sweepable Mid Adjustable Low-cut Filter Feedback Control: Phase Invert Switch Dimensions: 5.6″ X 3.3″ X 1.2″ Weight: 0.3 KG

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The Fishman Platinum Pro EQ/DI Preamp is a Class-A universal instrument preamp. It features low cut bass middle treble and brilliance controls so you can fully customise your performance. The preamps phase control and notch filter allow you to reduce feedback for a high-quality performance. The boost footswitch provides you with a lot more output perfect for live gigs. You can tune your guitar easily using the integrated fully-chromatic digital tuner. The Platinum Pro EQ comes housed in a road-ready design for easy transport. If you are looking for an extremely versatile and high-quality preamp look no further than the Fishman Platinum Pro EQ/DI Preamp.

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Boost Function The Fishman Platinum Pro EQ/DI Preamp is a highly useful piece of kit and when activating the boost footswitch you can increase your volume by 3-9dB. The LED above the footswitch lights up when the boost function is activated. You can use this boost function for added impact during solos or main riffs. You can achieve up to 12dB of volume boost foot switch with level control for a highly controllable boost experience. There is also a balanced XLR DI with pre/post EQ settings and ground lift and an integrated fully-chromatic tuner so you dont have to worry about falling out of tune every time you play. Intuitive controls The Fishman Platinum Pro EQ/DI Preamp is fully loaded with a five-band tone control which includes a mid-sweep and low frequency filter. This 17-volt high-headroom discrete class-A preamp also comes equipped with an EQ mode which is a tailored EQ for not only bass but most other instruments. The phase control knob and precision notch filter helps to reduce feedback for a more refined performance. Whats more the one-knob adjustable compressor smooths out your playing dynamics helping you find your own unique voice. Specifications Tone Shaping: 5-Band EQ With Sweepable Mid and Adjustable Low-Cut Filter Feedback Control: Sweepable Notch Filter and Phase invert Switch Inputs: 1/4 Instrument Input Outputs: 1/4 Amp Output XLR Balanced D.I Output With Ground Lift Switch Power: 9 Volt Battery (Not Included) or Fishman 910R Power Adaptor (Not Included) Battery Life: 30 Hours Compressor: Ratio: 2.5:1 Attack Time: 10ms Release Time: 100ms

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The Fishman Jerry Douglas Signature Aura Imaging Pedal delivers the iconic tones of Jerry Douglas in one handy sound sculpting pedal. The Aura is built to offer 16 individual sounds for shaping the sound of your guitar. Emulating 16 different microphones to create a unique tone its specifically designed for resophonic guitars. Effortlessly control the sound with three control dials consisting of a volume to dictate the level blend to mix in the sound from the input source and an image select which allows you to alter which microphone is emulated.

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Stage ready sound A mic’d up sound without the microphone. The Fishman Jerry Douglas Aura Imaging pedal creates a sound which accurately recreates 16 custom images all in an effort to eliminate spurious stage noise and intrusive microphone setups. This pedal gives you that incredibly delightful microphone sound wherever you are in the practice room on the stage or in the studio you can be assured that your resophonic guitar emits a unique voice with clear identity. Specifications: Control: Image Select controlVolume control Blend control Footswitch: Bypass/Mute foot switch Input: Input Trim Indicator: Clip/Low Battery indicator AUDIO I/O: 1/4 inch stereo input and output Input Level control 24 bit A/D/A. Processor: 32-bit processing Power: 9-Volt battery or adaptor power Material: Durable all-metal construction Dimensions: 5.6″(L) x 4″(W) x 2.1″(H) Battery Life: 27 hours

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The AFX Broken Record Mini Looper/Sampler by Fishman is a compact pedal that offers a range of features. With just one footswitch you can record overdub and play along with riffs and patterns. The pedal boasts an impressive 24-bit 44.1kHz audio recording capacity that can handle up to 6 minutes of recording time. Even if disconnected from power the built-in memory in the pedal ensures that your recordings are retained. An innovative feature of the AFX Broken Record is its dual-channel audio path. This unique design allows you to create two independent effect chains by using a single series of cables. This Fishman AFX also boasts a true bypass that removes electronics from the signal chain providing cleaner sounds. In addition the pedal has a looper mode that lets you record play back and overdub multi-layered audio while the sampler mode plays audio once without looping and overdubbing is not possible. Thanks to its compact size and versatile capabilities the Fishman AFX Broken Record is an indispensable tool for any guitarist looking to create dynamic performances.

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Loop sample and take your performance to a new dimension In Sampler mode the AFX Broken Record lets you play audio once without looping. This mode is useful for those who want to add unique sounds or effects to their performances without creating multi-layered audio loops. To start you record a length of audio and the pedal pauses allowing you to play the recorded audio back once at any time. Unlike looper mode overdubbing is not possible in sampler mode. On the other hand looper mode lets guitarists create multi-layered audio. With the AFX Broken Record you can record play back and endlessly overdub to create multi-layered sounds that add depth and complexity to your performances. The pedal has a recording capacity of up to 6 minutes of audio allowing you to overdub on top of it in real-time. This feature is perfect for live performances as it allows you to create dynamic soundscapes and take your performances to the next level. Compact and convenient The compact size of this pedal makes it an ideal tool for gigging musicians. Its small form factor allows it to fit easily on any pedalboard leaving enough room for other effects pedals. Its lightweight design also means that it wont weigh down a musicians gear bag while travelling to gigs. Its compact size is particularly advantageous for musicians who frequently travel or play in smaller venues where space is at a premium. Specifications Product Code: PRO-AFX-LP2 Electronics Power: 910-R AC Adapter (Sold Separately) Current Draw: 53mA DSP: 32-Bit Processing Bypass: True w/ Buffered Option Input/Output: 1/4″ TRS Input Impedance: 10M Ohm Output Impedance: 10k Ohm Signal to Noise: -100dB Dynamic Range: 100dB Controls: Level Looper SamplerDimensions Height: 4.9cm Width: 4.9cm Depth: 9.7cm

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