The RME Fireface UFX II Audio Interface is a 30in/30out USB audio interface featuring RMEs unique DURec (Direct USB Recording) and a range of analog inputs. The RME Fireface UFX II includes a total of 60 channels of audio with 30 inputs and 30 outputs supporting a sample rate ranging up to 192kHz for exceptional audio quality. Delivering flexibility and compatibility the Fireface UFX II is ideal as the keystone of any studio or live rig as well as being easily connected with other audio devices. The DURec USB port located on the front-panel allows for recording and playback of all inputs to a USB drive. The unique PAD-free microphone circuit design and range of mic/line inputs provide up to 75dB gain range delivering pristine and transparent audio for studio-grade recordings.
Low-Latency Performance The custom USB technology at the heart of the RME Fireface UFX II ensures incredible low-latency performance which can easily integrate with most computer systems including PC Mac and Linu-based systems. The in-house USB technology from RME utilises the USB 2.0 connection making the RME UFX II highly compatible with a range of software and DAWs. With aim provoed SNR and THD values as well as an optimised analog circuit the RME Fireface UFX II provides unprecedented audio quality and performance. Analog & Digital Connectivity The RME Fireface UFX II Audio Interface features 50 channels of audio in total with 30 input sand 30 outputs supporting sample rates up to 192kHz for exceptional audio quality and performance. The wide range of analog and digital connectivity makes the Fireface UFX II ideal for studio and live use alike. There are 12 analog I/O as well as two ADAT I/O for expanding the Fireface UFX II connectivity up to a further 16 channels of analog inputs as well as 2 channels of AES and SPIDF plus WordClock or BNC connections. The UFX II Audio Interface also features RME’s latest hig-end AD/DA converters with optimised analog I/O circuits delivering pristine and crystal clear audio. The four front-panel Mic/Line combination inputs include built-in Phantom Power and provide exceptional transparency for a flat and rich sonic performance ideal for capturing studio-grade recordings. The newly designed PAD-free microphone circuit delivers trouble-free operation eve in the most demanding of recording situations. Combined with the low-latency performance and high-end AD/DA converters the Fireface UFX II provides optimal audio quality ideal for both live performances and studio work. Direct USB Recording One of the most unique and convenient features of the Fireface UFX II is the DURec (Direction USB Recording) function. The DURec functionality allow you to record and playback all of the inptus and outputs directly to a USB drive such as a flash drive or hard drive. The second generation hardware provides improved compatibility and functionality ensuring greater reliability even with slow and multi-partitioned USB hard-drives. Design & Construction The sleek and ergonomic design of the RME Fireface UFX II Audio Interface not only looks good but provides you with a wide range controls. The front-panel features dual highly-detailed meters providing precise visual motniroing for all your inputs. The front panel also features a built-in headphone output as well as MIDI I/O connectivity and four mic/line inputs. The ergonomic design improves your workflow and the easy to use navigate layout makes switching between inputs and adjusting controls easier than ever before. Features 30 In/30 Out USB Audio Interface Ideal for both live and studio applications Custom high-end AD/DA converters Optimise analog circuitry with improved SNR and THD Four front-panel mic/line combination inputs DURec (direct USB Recording) allows you to record all inputs and outputs Custom USB 2.0 technology for low-latency performance 12 analog inputs and 12 analog outputs ADAT AES SPDIF WordClock and BNC connectivity Supports sample rate up to 192kHz 1U rack-mountable design Specifications Analog AD Line In 1-8 rear Resolution AD: 24 bit Signal to Noise ratio (SNR): 113 dB RMS unweighted 116 dBA Frequency response @ 44.1 kHz -0.1 dB: 5 Hz – 20.8 kHz Frequency response @ 96 kHz -0.5 dB: 3 Hz – 45.8 kHz Frequency response @ 192 kHz -1 dB: 2 Hz – 92 kHz THD: THD+N: Channel separation: > 110 dB Maximum input level: +19 dBu Input: 6.3 mm TRS jack electronically balanced Input impedance: 8 kOhm unbalanced 12 kOhm balanced Input sensitivity: Switchable to Lo Gain +4 dBu Input level for 0 dBFS @ Lo Gain: +19 dBu Input level for 0 dBFS @ +4 dBu: +13 dBu Variable gain: 0 to +12 dB Minimum level for 0 dBFS: +1 dBu -1.2 dBV Microphone In 9-12 front (Same as AD but) Input: XLR electronically balanced Input impedance: 3.4 kOhm Signal to Noise ratio (SNR): 115 dB RMS unweighted 118 dBA Gain range: 75 dB Maximum input level Gain 0 dB: +18 dBu Maximum input level Gain 75 dB: -57 dBu CLIP LED: 0 dBFS SIG LED: -60 dBFS Instrument In 9-12 front (Same as AD but) Input: 6.3 mm TS jack unbalanced Input impedance: 1 MOhm Signal to Noise ratio (SNR): 114 dB RMS unweighted 118 dBA Gain range: 42 dB Maximum input level Gain 8 dB: +21 dBu Maximum input level Gain 50 dB: -21 dBu DA Line Out 3-8 rear Resolution: 24 bit Dynamic range (DR): 115 dB RMS unweighted 118 dBA Frequency response @ 44.1 kHz -0.5 dB: 5 Hz – 20.8 kHz Frequency response @ 96 kHz -0.5 dB: 5 Hz – 45 kHz Frequency response @ 192 kHz -1 dB: 5 Hz – 89 kHz THD: THD+N: Channel separation: > 110 dB Maximum output level: +19 dBu Output: 6.3 mm TRS jack servo-balanced Output impedance: 75 Ohm unbalanced 150 Ohm balanced Output level switchable Hi Gain: +4 dBu -10 dBV Output level at 0 dBFS @ Hi Gain:+19 dBu Output level at 0 dBFS @ +4 dBu: +13 dBu Output level at 0 dBFS @ -10 dBV: +2 dBV DA – Stereo Monitor Output XLR (1-2) (Same as DA but) Output: XLR balanced Output level switchable 24 dBu Hi Gain: +4 dBu -10 dBV Output level at 0 dBFS @ 24 dBu: +24 dBu Output level at 0 dBFS @ Hi Gain: +19 dBu Output level at 0 dBFS @ +4 dBu: +13 dBu Output level at 0 dBFS @ -10 dBV: +2 dBV DA – Stereo Monitor Output Phones (9-12) (Same as DA but) Output: 2 x 6.3 mm TRS stereo jack unbalanced Maximum output level at 0 dBFS High: +19 dBu Maximum output level at 0 dBFS Low: +2 dBV Output impedance: 2 Ohm Max power per channel @ 32 Ohm load 0.1 THD: 210 mW (2.6 Vrms +10.5 dBu) MIDI MIDI: 2 x MIDI I/O via 5-pin DIN jacks Input: Galvanically isolated by optocoupled input Hi-speed mode: Jitter and response time typically below 1 ms Other: Separate 128 byte FIFOs for input and output Digital Clocks: Internal ADAT AES MADI word clock Low Jitter Design: Internal clock: 800 ps Jitter Random Spread Spectrum Jitter suppression of external clocks: > 30 dB (2.4 kHz) Effective clock jitter influence on AD and DA conversion: near zero PLL: PLL ensures zero dropout even at more than 100 ns jitter Other: Digital Bitclock PLL for trouble-free varispeed ADAT operation Supported sample rates: 28 kHz up to 200 kHz Digital Inputs AES/EBU XLR: 1 x XLR transformer-balanced galvanically isolated according to AES3-1992 Input Stage: High-sensitivity input stage (Other: Accepts Consumer and Professional format Lock range: 27 kHz – 200 kHz Jitter when synced to input signal: Jitter suppression: > 30 dB (2.4 kHz)
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